Upon its inception in 1929, the Loew's Kings Theatre was one of the most exquisite theatres in the nation. Originally designed by architectural masters Rapp & Rapp with interior design by Harold W. Rambusch, the theatre was truly an ornate spectacle for the masses. As one of the five original "Loew's Wonder Theatres," the Kings was originally ordained a movie and live performance theatre of epic proportion. It officially opened its doors to the public September 7th, 1929 with the screening of Evangeline
, accompanied by on stage performances from Wesley Eddy & His Kings of Syncopation, The Chester Hales Girls, and Frills and Fancies
. The Loew's Kings Theatre would become the epicenter of cinema and live performance in the thriving Brooklyn arts and shopping district along Flatbush Avenue.
In September 2006, the New York City Economic Development Corporation (NYCEDC) in cooperation with the Brooklyn Borough President Marty Markowitz issued a Request for Expressions of Interest
(RFEI) for the reformation of the historic Loew's Kings Theatre. The NYCEDC utilized a variety of criteria to evaluate the responses such as: return on investment to the city and surrounding community, financial feasibility, development team's qualifications, design (high performance, green building, and sustainability), and the respondent's satisfaction of development guidelines.
In March 2008
, the NYCEDC in collaboration with Marty Markowitz issued a Request for Proposals
(RFP) for a developer and operator of the former Loew's Kings Theatre. With respect to the NYCEDC's evaluation criteria, it was required that the redevelopment thoroughly rehabilitate and reuse the theatre building, be economically plausible, and maintain certain aspects of the theatre's architectural features.
On February 3rd, 2010
, Mayor Michael Bloomberg and Brooklyn Borough President Marty Markowitz announced that ACE Theatrical Group, LLC was selected and contracted as the developer for the monumental restoration of the newly named Kings Theatre. The Houston, Texas based theatrical management and development company was selected to completely restore the historic theatre to a state reminiscent of its original architecture that will be able to accommodate modern shows through its expanded stage house. ACE Theatrical Group will also operate the Kings Theatre as a premier performing arts venue, reestablishing it as the prominent live performance establishment that Brooklyn aesthetically has to offer.
On January 23rd, 2013
, following the immense preliminary work undertaken by ACE Theatrical Group, a fifty-five year lease with The Kings Theatre Redevelopment Corporation, was executed to commence the redevelopment of the storied Kings Theatre. Martinez + Johnson Architecture based in Washington, D.C., was selected as the architectural firm for the ineffable restoration project. Their award-winning restorations across the country have established them as the preeminent architectural firm of landmark theatres. The Kings Theatre restoration was financed through funding from the City of New York, Goldman Sachs Urban Investment Group, and United Fund Advisors. Restoration of the iconic Kings Theatre will re-establish the paramount architectural structure, enhance economic development through extensive job creation, and will provide a wide variety of entertainment programming that will serve the vibrant and diverse communities comprising Brooklyn.
, the $95 million project features an authentic restoration of the original 1929 design. Original plaster and painting schemes have been restored, vintage carpet and seating have been recreated and historic lighting fixtures have been renovated and re-installed. New state-of-the-art building systems, including new HVAC, expanded patron restrooms and concessions facilities will provide the very finest in patron comfort. Technical improvements including expanded staging facilities, a new theatre rigging system, new dressing rooms and professional sound and lighting systems, will ensure that the Kings will be able to host the very finest performing arts attractions. Once renovations are complete, the transcendent theatre will host hundreds of performances annually.
The restoration of this former movie palace marks the rebirth of an historic venue, and a transformation into a state-of-the-art live performances theatre that will revitalize the Brooklyn arts scene, and provide and economic stimulus to the Flatbush Avenue business district, and the region beyond.
Ambassador Theatre Group
Founded in 1992, Ambassador Theatre Group (ATG) is the world’s number one live theater company with the vision of helping great shows to find the largest audiences. ATG operates over 50 venues in Britain, North America and Germany. It is an internationally recognized award-winning theater producer with productions in the West End and on Broadway and touring productions in the U.K., North America, Europe, Australia and Asia. ATG is also the market leader in theater ticketing services through ATG Tickets, LOVETheatre and Group Line.
ATG operates the renovated Lyric Theatre, home to the acclaimed Tony Award winner Harry Potter and the Cursed Child
, and the oldest theater on Broadway, the Hudson Theatre. ATG manages and operates the Saenger and Mahalia Jackson theaters in New Orleans; the Majestic and Empire theaters in San Antonio; the Smart Financial Centre in Sugar Land, Texas; the Kings Theatre in Brooklyn; and the recently refurbished Emerson Colonial Theatre in Boston, which re-opened in the summer of 2018 with the critically-acclaimed world premiere of Moulin Rouge! The Musical.
ATG also operates San Francisco’s Curran Theatre, where the West Coast premiere of Harry Potter and the Cursed Child
is currently playing.
ATG’s current Broadway producing credits include Neil Simon’s Plaza Suite
starring Matthew Broderick and Sarah Jessica Parker and the upcoming return engagement of the critically acclaimed hit David Byrne’s American Utopia
. Other recent producing credits in the U.S. include Harold Pinter’s Betrayal
, Sea Wall/A Life, Burn This, Dear Evan Hansen, Pretty Woman: The Musical, A Doll’s House Part 2, Sunday in the Park with George,
and Lincoln Center Theater’s The King and I